Which Telescope Should I Buy Canon Dslr

Oscar Wilde .. "Society often forgives the criminal. But it never forgives the dreamer."

I love Oscar Wilde, his person and his ideas even before his literary works. What amazes me most is what the themes he treated, and the vicissitudes and injustices experienced by him, are current.
A demonstration of what I post an article very good and very interesting .. Beyond the goose bumps that is reading it, I would like to focus your attention on current topics of .. The same problems of the time we find them today .. try to think of art not only as literature, but such as music .. and everything will seem even more topical.

"The era of Oscar Wilde is that of Victorian England. A time when the nobility, the traditional holder of power, share it with a new social class: the Industrial Revolution, in fact, resulted in a bloated and self-satisfied bourgeoisie, the more entrenched this power gained as much as you can see endangered by socialist ideas. The ideology was born from the Industrial Revolution want to put art in the great machine of production. art is required to "produce" ideas, feelings and concepts.
In England, around 1880, his love for art has now taken the folds of a real fashion (a trend, we would say today), it becomes "trendy" to collect works of art, care furnishings, meticulously treat your clothing. The atmosphere of languorous decadence "fin-de-siècle", and spreads an undefined "aesthetic gospel" in one of the most ardent propagators is some Oscar Wilde. Irish by birth (born in Dublin in 1854), culturally forged by excellent classical education, in 1882, Wilde is a hugely popular figure in the salons of high society, and a real windfall for the columnists. But the young Oscar in 1883 marks a turning point in his career.
So far, his creativity has produced only a few poems, and not excellent quality. Now Oscar instead starts writing frantically, and writes about everything: essays, poems, plays, stories, fairy tales. Many of his plays are successful. His stories become very popular. But Wilde turns out to be essentially an essayist. And it is especially in the essays that Wilde fought the battle of the century, in defense of freedom of art against the Victorian philistinism.
pragmatic materialism of the bourgeoisie, all aimed at "doing" and "produce", Wilde's witty criticism opposes, shored up with lapidary sentences and only apparently paradoxical as Wilde writes, the more it sinks the knife into the soft underbelly of bourgeois convention.
In 1886 Wilde's rich and wealthy. He married the daughter of a Dublin lawyer, Constance Lloyd, who gave him two sons and lives in luxury Chelsea in London. But it is not blind to the point that they see the wounds of the world in which he lives, and in the desperate conditions faced by thousands of people. He writes: "Those who today are considered criminals are not at all. E 'hunger, not the sin, the father of modern crimes." It' a socialist , Wilde? Of course not. It 's too educated, too disillusioned to let caged by dogma. And most importantly, puts the Individual before everything else. The day will come, prophesy, in which "the State will do what is useful. The individual will do what is good." The mass society, as we understand it, is yet to come. But Wilde-looking farther than his contemporaries-he sees on the horizon, he sees approval of thinking, numbness of conscience, vulgarity elected system. Salvation of 'individual, he says, is in his statement, and the statement is made in the Art of the Individual, not in the market . "A person compelled to produce items for the use of others, and taking into account needs and desires of others, does not work with interest, and therefore can not put in his work the best that is in him. On the other hand, when a community or a powerful sector of a community, or a government of a any attempt to dictate to the artist what he must do, the Craft disappears altogether or becomes stereotype, or degenerates into a low and ignoble form of craft . The work of art is the unique result of a unique temperament. His beauty comes from the fact that the author is what it is. It has nothing to do with the fact that others want what they want. When an artist takes notice of what others want, and try to meet the demand, cease to be an artist and becomes a dull or amusing craftsman, an honest or dishonest trader. "
Of course, these words do not are those that a middle class of merchants and craftsmen wants to hear. Those who believe this to be dandy soggy, pretentious and perilous-say-even fag? The industrial revolution brought the printing press and the spread of popular literacy in increasingly large segments of the population. It is not necessarily a bad thing, indeed. Yet Wilde writes sarcastically: "What is the difference between journalism and literature? journalism is unreadable and literature is not read ." And since Wilde look much farther than others, he sees a ghost for hours without name, and that only a century later would be called "kitsch," the tasteless mass. It notes: "The public keeps asking Art to be popular, to please his lack of taste of flatter his absurd vanity, tell what has been said, to show him what I should be sick of seeing, to amuse when it is weighed down after eating too much, and to distract his thoughts when he is tired of her own stupidity. Art should never try to be popular. And 'the public should seek to become an artist. "Wilde paddling upstream. Proclaims the superiority of art over nature, says the critic must be more educated artist, that the sinner teaches us many things of the Holy . The paradoxical theories stir the waters of the literary world. But the clash between Wilde and the society of his time becomes a real battle at the release of his novel "The Picture of Dorian Gray." Many critics attack the novel, accusing him of obscenity. The critic of "St James Gazette writes that the book should be" thrown into the fire. Wilde does not hold back. Defends himself by proclaiming the independence of art from morality, and refusing to deny in any way novel. Rather, it argues passionately to critics writing and newspapers. The Director of the St James Gazette writes: <<(...) il direttore a newspaper as his monstrous seems to support the theory for which the government of a country should pursue a complaint on the narrative. This is a theory against which I and every letter I know we protest with all our strength, and any reasonable critic monsters to find such a theory, it proves unable to comprehend the literature, and to understand what the rights of the literature. Might as well that a government would try to teach painters or sculptors to paint a model, if it attempts to interfere in style, in the treatment of the artist and the material of literature, and no writer, influential or obscure it is, would never approve a theory that degrade the literature much more than could ever degrade any book or educational book "immoral.">> And again: "Puritanism is never so offensive and destructive as when dealing with matters of art. "Wilde is even more caustic to the director of" Scots Observer "according to the critic of this newspaper, in fact," Dorian Gray "was written especially for the illiterate and criminal classes." Wilde replied mockingly: " I think the criminal and illiterate classes do not read anything but newspapers. "
In 1891, less than a year after publishing" Dorian Gray, "Wilde knows Lord Alfred Douglas, a young student at Oxford, and interwoven with a report that he does not care too much to hide. The success of his plays and the esteem in which literary circles in the protect him from scandal. But not for long. Alfred's father haunts him, and in 1895 Wilde Douglas senior hauled into court. The accusation is calumny. But the story turns into a boomerang for the author, who ends trial for sodomy. At first, the prosecutor attacked the writer Carson in terms of his artistic beliefs rather than on his sexual habits. But Wilde, iron, not moving an inch from its position. "A work of genius it is never moral or immoral, but only good or bad." It 's a strong and explicit declaration of liberty, how strong is the implicit assertion in this sentence, you can appreciate or despise a work for its artistic quality, but never thought that the work behind, and then for opinions that the author expresses. The freedom of art and freedom of thought are something unique and inviolable.
Wilde will pay dearly for his consistency, that pushed him to stand trial against the advice of friends. Maybe if you declare repentance, if you plead guilty to a general "immorality" in his works, it could get by with less. But do not take a step back. Failing to catch him on this plane, Carson brings some young people who testified in court that he had sex with the writer. Wilde was sentenced to two years hard labor for sodomy. For him it is the social and economic ruin. The children are removed. Its assets are seized and auctioned to pay for processuali.Internato Hollway first in prison, then in Wandsworth, Wilde is finally transferred to the penal colony of Reading, which was released in 1897. Minato in body and spirit from the harsh detention, died in Paris in 1900, at the dawn of the new secolo.Qualche year before had written: "Society often forgives the criminal. But it never forgives the dreamer."

Curtain Holdbacks, Placement

Chocolat ...

usually do not like the movies and even films in general.
Firstly, because I find that in only 2 or 4 hours it is impossible to deal comprehensively and in depth any topic .. and then because most of the time who does not a movie has nothing to say .. and then we see great special effects, great characters, great location .. but in terms of content the absolute vacuum.
sometimes the only exception are the films adapted from books or interesting historical facts ... or the biographies of great people. But in these cases the film as a shallow movie times are what they are.
As for the other movies .. worse than worse, so maybe the stories begin engaging, with interesting food for thought ... but then settle into anything. Indeed, if for the first time is not enough, for others even it is hard to find arguments for two whole hours!
So we are seeing films that are of interest for the first 40 minutes and then forcibly dragged wearily and another 60 or 70 minutes.
those circumstances are very few movies that I liked and that in addition to the interest of keeping me alive until the end, they sent me something on an emotional level and / or intellectual / cultural.
One of these is Chocolat.

to you the plot (thin and superficial, but I have not found any better):

"There was once a small village in France where nothing ever happened and the life of the community was based on strict religious rules. One day, however, comes a young woman, Vianne Rocher ... accompanied by his daughter, who settled in the quiet village and opens a chocolate shop. Soon, the ingrained habits and gray of the country are beginning to change, thanks to the special quality of this little chocolate shop. Vianne challenges convention, and when he makes friends with the dreaded 'Gypsies of the river', among which is the beautiful Roux, increasing the contrasts ... Vianne, after being opposed in every way by the mayor of the small community of friends and be emarginatissimi 'Gypsies of the river', can be accepted by the country. Before the individual, then by all the inhabitants. Between Love, reconciliations, emancipation will be able to fit into many of the relationships between neighbors (more or less hidden) and to give crucial help to decide final stop after a long pilgrimage "

And now some very interesting reviews:
" The rotation constant, continuous and monotone of an ancient Maya pot reveals the secrets of the human soul, showing each a reflection of their wishes on the surface glazed ritual object. It 's a mysterious symbol, a symbol belonging to Vianne Rocher and her small daughter, Anouk, a fellow travel and adventure, that follows in their frequent moves on the wings of the north wind. It is this wind, a symbol of freedom and restlessness of life, that pushes up the quiet town of Lansquenet, where time seems to stand still: the mayor of the town, Count Reynaud, is acting exclusively for the welfare of its citizens, apparently to maintain the harmony that unites the community. The arrival of the beautiful Vianne, from the dark past, disturbs the balance of the fictitious place: a woman opens a chocolate shop in Lent, careful with the delights therein exposed to the Lenten fast which the mayor himself, to set a good example, has undergone. From that moment on, life will never be the same Lansquenet: despite being boycotted, the chocolate becomes the meeting point of the people of the country to find the courage to express their desires secret, enclosed in a magical dish and a cup of steaming hot chocolate, spiced with chilli. The Lasse Hallstrom's comedy has the sweet flavor of a fable, is delicate and poignant as the other work of the celebrated director, The Cider House Rules, tackles difficult issues such as prejudice and predestination, with a slight murmur which involves the viewer. The film was adapted from the best-selling novel of the same name by Joanne Harris and adapted for the screen by Robert Nelson Jacobs, for his excellent work in screenwriting, he received an Oscar nomination. Chocolat was nominated for four other statuettes: one for best music written by Rachel Portman, one for Best Picture, one for best supporting actress (Judy Dench, already an Oscar in the role of Queen Elizabeth in Shakespeare info in Love) and finally, in the Best Actress category, a further nomination for the lovely Juliette Binoche, also thanks to the interpretation of the award-winning The English Patient nurse. France's Juliette, to interpret his Vianne, has discovered the magic of chocolate thanks to the teachings of the specialist Walter Bienz, which introduced the narrow circle of students of a tradition that has milllenaria Chilean and South American origins. The chocolate was, in fact, one of the essential elements of religious initiation ceremonies of the ancient Maya used in their raw state to free the soul from the earthly. And this is the secret that Vianne of Chocolat tries to convey to his fellow citizens, thanks to masterful test Binoche. We should also mention that the interpretation of Johnny Depp finds himself after Hallstrom's Eating Gilbert Grape, and here plays the role of the charming gypsy who wins the heart of the beautiful star. The role of the wanderer, the wanderer, seems to be particularly suited to Depp, already seen in similar role in the recent The Man Who Cried. Important role for Lena Olin, director's wife in life and a drunkard in the film, which, thanks to Vianne finds the courage to rebel against her husband and start a new life. An unusual and fascinating tale, this Chocolat, where even the wind has a profound symbolic significance: it's like fate, impetuously drag our lives, leading us to wander from one place to another, from one life to another until it subsides, it leaves us time to strengthen ourselves and, when ready to blow again, we are ready to face the storm. (Jo Went) "


" Cinema to eat. Karen Blixen against Joanne Harris, to cite one example. A story signed fifties - Babette's Feast - and a bestseller of the millennium - Chocolat - in their film adaptation, contending the minds and palates of spectators and newage borderline between Mediterranean tradition. Frame to frame, as if to say: transgress, please, and wallow. And it is This is what it is Babette's Feast, in which surrender to the love of food means giving up the love for life. Cooking is a sublime art form. The banquet is a gift. E 'revenge. The spirit and the flesh can share the same table, opposites attract, extremes meet. "Mercy and truth have met, my friends. Righteousness and bliss shall kiss." Wonderful testimony of the relationship psycho-physical connection between food and film, the wind of "Babette's Feast" echoes in Chocolat and seems to accompany the scene the main character Vianne Rocher. A woman who is married to the wind and that, as the wind shakes the hearts, thoughts, desires. Only ally, "the food of the gods. "That cocoa, according to the ancient Mayan tradition. Juliette Binoche plays the" unsaid "of a handful of souls trapped in a portion of the Middle Ages to liberate the passions. The Celeste Praline thus becomes the factory of the profane dreams disrespectful and hateful in the eyes of a community around the narrow bigotry of psychosis Count Reynaud. But it also became the factory through which the pleasures of the palate slip on things every day to signify the value. "They told me that chocolate is not a moral issue "he says Vianne, subverting the power with the temptation of taste and smell the rigor and persuasion. codes of meaning that give back to the imaginary village of Lansquenet the flavor of life. (Cafco) "

" A film that combines sight and taste, delicate and tender as only a fairy tale can be challenging and slightly naughty as a diet of fruits of cacao. At last a work that strikes you with kindness, without splatter scenes, nor vulgarity. Very beautiful figures of women and girls who are united by their being different from the tissue and disintegrated cramped little province of France, very beautiful colors substantially leaden campaign, which is at the contrast of those bright and cheerful clothes for Juliette Binoche, and "immoral" of the chocolate shop. A good story, that gives confidence and optimism. Indeed, a film needed. (Mary Magdalene) "

" The director Lasse Hallstrom ("My Life as a Dog", "'s Eating Gilbert Grape," "Something to Talk About ..." The Cider House Rules ") directs this beautiful, simple and original story from the novel by Joanne Harris, who could be described as belonging to the genus "edible", as "Babette's Feast" or "Like Water for Chocolate, but that more than them offers much more graceful tones and full of passion. How can one not feel sympathy for that young mother Vianne and her daughter has a relationship so strong and sincere and that with its sweetness and spontaneity can in a short time to conquer an entire community. His "special" recipes with chocolate (the chocolate is certainly the most unique and served with a pinch of pepper), some of them very elaborate, they can get not only the palate but also to the hearts of the essay. Chocolate as a magic medicine, ancient remedy (according to the Maya it was the food of the gods) and extraordinary blend of spirituality and materiality of Life. Accurate was the choice of performers: the Binoche certainly above all others but also helps the young Depp with his air of mystery and fascination at the same time to make unreal and picturesque whole story. The film was nominated for the 2000 Oscar for Best Picture, Best Actress (Juliette Binoche), Best Supporting Actress (Judi Dench), Best Adapted Screenplay, Best Original Score (Rachel Portman). "

Reviews that do not share (followed in parentheses by my comment )
"I would say an unacknowledged remake of 'Babette's Feast', but the script uses too little sweetener and pepper or anything that seems to make irresistible chocolates Juliette. (Roberto Nepoti, 'La Repubblica', February 11 2001) " [I am not in agreement, indeed, one of the merits of this film lies in the delicacy and the absence of malice and vulgarity .. but not all souls are worthy of this pick, it seems ..]
"The spirit of the film is nicely libertarian in key unprejudiced appreciation of goodies, a bit 'on the model of' Babette's Feast 'and the final peace with the redemption of the villain may even remember 'The Grinch'. Judging from the laughter that was marked by the endless projection and final applause, 'Chocolat' it seems packed with perfect mix of ingredients. Even if the taste of this chocolate is a bit 'industrial'. ( Tullio Kezich , 'Corriere della Sera', February 11, 2001) [the sense of this review??]
"Based on a novel by Joanne Harris , played very well, 'Chocolat' is the end a little mannered, cloying like chocolate when it is too much. Lasse Hallstrom , Swedish, 54, husband of Lena Olin that in 'Chocolat' says a major character, is the director of 'My Life as a 4-legged', 'Happy Birthday Mr. Grape', 'The rules The Cider House '. Even if he works in the United States tries to save his film from the stereotypes and repetitive Hollywood standards: it succeeds, sometimes paying the price of a dull but vital optimism. "(Lietta Tornabuoni, 'La Stampa', 24/02 / 2001) [because of the delicacy and finesse should be defined dull?? However, it is a great honor to be able to arouse the interest of the public without resorting to the usual, and really disgusting, vulgar]

Example Of Church Welcome Lettter

Dear Brother (of Riyoko Ikeda)

Happy 2008 to everyone!!


I want to dedicate my first post in 2008 to a cartoon that I loved so much: Dear Brother.


The following is an excerpt from the site http://aoisora.tripod.com/main.html that I recommend to anyone who wants to deepen the topics dealt with by me.


" The plot of Dear Brother ... it's like a puzzle, a puzzle that is made very slowly before our eyes, marked in style by shojo moods of the protagonists, from moments of high tension drama (at times melodramatic, as was rightly pointed out), a sort of "gothic novel", love and death dominated roses, petals of cherry, sudden storms, daggers, from a dark clock tower, a mysterious bracelet and the doll that melancholy, like a leitmotiv, appears in many episodes ...
not easy, more geared to an older audience, as recurring themes are addicted to drugs, suicide, serious illness, mental fragility and the strong attraction to someone of the same sex ...
But Dear Brother ... work is also a must for those who love shojo manga, a masterpiece of the world and deepening of the female psyche in a difficult time of growth of each girl. "


As for the characters refer to http://aoisora .tripod.com / personaggi.html . I only deepen that concerns my favorite Rei Asaka (Saint Juste):


Rei is a charming girl in the second year that meets Nanako the first time on the bus that leads to the Seiran the first day of school. Nanako is immediately struck by its beauty, its security and above all his voice "deep and warm."
As Kaoru, she is beautiful androgynous always wears men's clothes, is a rebel (smoking in defiance of the rules of the school and is delighted to throw knives in the clock tower), a sensitive soul and tormented (Law and declaims Verlaine) , a character beloved by all the girls (playing basketball, play and play well the piano, flute, violin, or guitar in the manga). However, Rei wherever I go, you always see with a well stocked supply of medicines of all kinds, with which it seeks to placate his troubled mind, mainly because of its mysterious and complex relationship with Lady Miya.
His nickname derives from Louis-Antoine de Saint-Just, the historic character of the French Revolution, which sent many opponents to the guillotine, from the icy beauty and nicknamed "the Angel of Death." And as the one that gives it its name, the eyes of Rei, with "attitude and higher non-human" looking at an indefinite point and distant, perhaps death ... " Nanako said as reading the biography of the historical character.
Citations: Kaoru
describes Saint Just:
During the mid Rei was moved here from another school. She was a very eccentric ... he was always all alone to read, and it seemed that he had no interest in the world around her [...]
Then I convinced her to join our team, and soon became a champion ... When Rei
playing was always full of life, and his eyes sparkled. It was for these qualities that I liked ... or at least I thought ...
But then I had to admit that was not true. What attracted me most about her was her attitude and greatly superior to non-human ... it seemed that his eyes, looking at an indefinite point and distant. What these eyes have ever seen? What is there hidden in his soul? I do not know ...
Nanako discovers the desolation in which he lives Rei:
Incredibly Saint Just living in a room bare, full of mirrors and windows closed, wrapped in a dark, obsessive, desperate ... probably his meals were meager and desultory, but the question that arose spontaneously was curious and frightening at the same time what he was doing here all alone as he came home after school? Dear brother, what was his secret? What concealed?
Nanako wakes up after having lost consciousness due to a cigarette
Saint Just: "Feel better now?"
Nanako: Her beautiful smiling lips, her hair silk ... But what is an angel or a devil?
Saint Just: "Now you understand, is not it? Smoking is horrible and destructive, then you do not suits, believe me ... I want you to stay exactly as you are now, not ever change, Nanako "
Nanako: Dear brother, I trusted her, of his tender words, his kindness, his care, of His infinite goodness ... My dear brother I was not strong enough to believe with my whole being that it was the sweet and insidious whisper of a demon ...
"I will ..."
Saint Just: "Mh?"
"I ... I love you. I love you! "
Nanako reflects the link between St Just and Lady Miya:
Dear brother, I still can not understand the strange and obscure relationship that bound Saint Just a Lady Miya ... The more I understand it was difficult , I was more afraid of their world, without rancor and secrets, a world that became more dark and scary every day that passed, as the eyes of Saint Just became more sad and short-tempered Lady Miya was no longer concealed by its fake and superficial kindness ....
Rei remembers episodes of his childhood linked to Fukiko:
... Then I thought that I would never forget your beautiful face: a child as young as 11 who had poured a river of tears a few moments before had now raised his head and pressing her lips hid the signs of humiliation in the eyes of the servants ... I remember that pride to my heart as a child was inspired, and filled me with the secret joy of a gentle soul ...
Fukiko: ... You noticed it? I've been good, I did not shed tears during the funeral ... and I did not lose control even for a minute. Of course, I was standing, to accept the condolences of all endless ... usually with my pride ... See, I'm still that pride that you have known girl in the garden, and of which he was fair, because ... Why should not I show my tears to anyone but you, who understood me so well ... my tears ... my plant is unique to you, my sweet sister ....
Symbolism: The bracelet on your wrist that Saint Just
Fukiko Another gift, a pledge of promise to commit suicide with her sister (ep. 26). That bracelet, which attracts the attention of Nanako on the bus when it hits against Saint Just seems to be the chain that binds to Fukiko Rei ... well as to perform the function of covering the scar on the wrist of Rei. Rei
not never separates from it, despite repeated attempts to persuade her to Kaoru rid of the "curse of Lady Miya," even throws a knife at her friend so that Kaoru throw it out the window. (Ep. 12)
only a couple of occasions we see Rei separated from her bracelet. (Ep. 33) While in the shower and prepares for an appointment with Nanako (for the symbolism that runs on water see below), after its impact with the train, the cuff disengages from his wrist and fly away, and he sees himself a few feet away from the inert body of Saint Just lying near the tracks.
Finally, in the dream of Nanako (ep. 35) Rei dressed in basketball outfit runs away, jumps and you go off the cuff from his wrist ... It would seem that what binds
Saint Just at the end of earthly existence and its connection with Fukiko ... without it, it seems that the life of Rei has no reason to be. His death, if you will, is determined by an impulse to grab the flowers for his date (a new life without the domain of Lady Miya, a free choice ...), but his choice to live, Paradoxically, the door to die. When Saint Just grab the flowers, it is too late, is already flying towards his date with destiny, the last image we have of her, lying on the tracks, Rei is still holding the flowers in his hand, while the armband is far ...
The bracelet, though, will return. It will be seen on the wrists of Fukiko when the latter visited the beach in the north where a child had cut his wrist to Rei. (Ep. 35) The last image of that sequence, in which words are Fukiko "is over, Rei," is dedicated to your bracelet. Immediately after the abolition of Lady Miya ask Sorority ...
cigarette
in the manga has a meaning if we are a little decadent ... In his apartment, Rei offers Nanako has just lit a cigarette, and Nanako sees Rei as a "temptress" from angelic face. In this kind of thinking goes that the cigarette has been touched by the lips of Rei ... Nanako smokes it awkwardly, and after leaving the apartment, leaning against the wall once out, and considering that was "touched by his lips" ... This sort of indirect
kiss is repeated in the anime between Rei and Fukiko. At Sorority, Fukiko kisses the right ear of Nanako and after the fight with Rei, leave the room, was alone Saint Just wonder what his sister touched his ear with his lips, taking a kiss ... (ep. 25)
Associations Pet of the characters:
- Rei and birds (doves and seagulls)
"In most traditions, the birds have mainly a positive connotation." The birds symbolize the power that helps people to think and guide to come up with many things in advance before you act. Rise in the air like birds with their feathers and can stop wherever they choose, the soul in the body is elevated by the thought and spreads its wings everywhere. " They represent the human desire to escape gravity, to reach the level of angels. The bird is often the human soul is freed from the body, free from its physical constraints. In fairy tales, people often turned into birds. They thought and imagination, transcendence and divinity, freedom from material constraints. "(*)
There are several occasions when Rei and the birds appear together, one of the most significant is his entry to the General Assembly for students where Kaoru calls for the abolition of the Sorority. The doves on the Seiran, hitherto absent, appearing suddenly just the appearance of Saint Just.
Even at the time of his death Rei seems to fly high in the sky, and dream of Nanako (which seems to turn into a seagull) she asks "where my spirit will fly free ...?"
In particular, Saint Just is often associated with doves: this animal in Christianity is used as a symbol of peace (a dove carrying an olive branch to Noah as a sign that the deluge of divine wrath had ended). In early Christian art the apostles were generally represented as doves, because they were the instruments of the Holy Spirit, who brought peace to the world, sometimes the dove represents the rest often simplicity, innocence and love.
Some interesting elements in the characterization of Saint-Just:
The mirrors in her apartment
The mirror is a reflection of the soul, no mind, it is absolute truth. It is' the knowledge that a man has of himself, the clear and shining surface of divine truth, the gate to the kingdom of the inverse "(Cooper, 106). Taoists consider the mirror as a mechanism of self-realization, and Christians see as a perfect mirror image of the Virgin. For the Chinese, is sincerity, and for Buddhists, is the soul in a state of purity ."(*)
Knives:
Rei usually use them to launch them against a silhouette of Fukiko in the Clock Tower, to prevent her from throwing against Kaoru via his wrist against Furuta and Sonobe who are trying to burn a petition against the Sorority, and then makes a practical use ... From a symbolic point of view, however:
"The knife is an object full of meaning, it means separation, death, sacrifice, division, or liberation. In Buddhism, liberation is cut with a knife because you cut the bonds of ignorance. In Christianity, martyrdom is the ."(*)
purple. "The purple comes from the combination of red and blue, the show combines the masculinity of femininity red with cold blue. Purple is often used to represent royalty, the imperial power, justice, and / or the truth. The dried blood has a purple tinge, and also are often purple bruises on the meat, in this respect may be a sign of physical injury. "(*)
The sheets on the bed of purple Rei ... The purple could also be yet another, aspect of androgynous Saint Just, a combination of masculinity and femininity ...
The Wind 'And' the messenger of divine intervention, and is the vital breath of the universe (Cooper, 192). The wind is often the fleeting and transitory, the elusive and intangible.
on The dream:
In his dream, Saint Just traveling on a wooden cart, listening to the sound of the spinning wheel on the pavement, and says he feels he must reach the fifth hill
The theme of the trip "myth, is a journey a call of destiny, the transfer of a hero in an unfamiliar area, full of treasures and dangers in unknown lands, an underground world, a forest, an island lost or a mountain. Symbolically, it is the spiritual adventure, responsible for exploring the self until it reaches the serenity. "(*)
" The number five is incredibly important in terms of its symbolic qualities. Represents human perfection as a man with extended arms and legs form a pentagon with the head that "dominates the four limbs, just as the spirit controls 4 Elements" (Julien, 155). There are five senses, five fingers on each hand and foot, a five-pointed star, with the tip pointing upward symbolizes individuality and spiritual aspiration. Pointing down represents witchcraft and black magic. "(*)
wheel: " The meaning of the wheel as a symbolic entity is similar to that of the circle, with the additional quality of the movement. As a symbol of the sun, the spokes are parallel to the rays of the sun. And 'the Wheel of Fortune in a Tarot deck, and the Taoist tradition, the wheel is the sage who has reached the point without moving the center around which movement can occur without itself moving. "(*)
Wood. "In Catholicism, wood is frequently associated with the cross, otherwise, can represent the totality of paradise, a refuge, a cradle or a coffin. The carpenter uses tools symbolic of the divine power to bring order out of chaos (Cooper, 194). "(*)


You can find a very interesting view on Rei Asaka at: http://aoisora.tripod.com/oe_reiasaka.html